Samar Audio AL95
Ribbon Microphone
We are pleased to announce our newest Samar AL95 figure 8 passive ribbon microphone.
Years of perfecting ribbon transducers, and experience in machining and making them
exclusively in house have allowed Samar Audio to create a microphone of ultimate
performance for a price that is unheard for a completely US made microphone.
This makes it perfect solution for home studios, artists, and engineers with budget
restrictions, as well as professional engineers, whose goal is making the highest
quality recordings. Specifically designed for very smooth, extended frequency
response, and low distortions, it is handcrafted and meticulously assembled at
the company’s Salt Lake City based shop.
This design was conceived and realized by the company’s founder, Dr. Mark Fouxman.
The efficiency of the construction, such as its uni-body design, unique and
innovative motor structure and parts utilization, makes for a microphone consisting
of very few parts, which is the main factor for such a drastic price drop. However,
do not let its budget price give you the wrong impression—this is a high end,
no-compromise microphone, which will provide the highest possible level of
performance and years of dependability.
At the heart of the microphone is a ‘piston’ corrugated ribbon. Compared to the
regular ‘zig-zag’ corrugation, it offers lower noise, deeper, fuller, and more
controlled bass response, higher output, lower resonance modes, and very high
SPL handling. All those advantages are due to the ribbon motion, which is similar
to that of speaker cones. A very important feature of the ribbon is its robust
construction and therefore, much lower fragility than conventional ribbon
microphones. Due to this, they do not require any special precautions for storage.
The ribbon motor is coupled to an in-house made amorthous-core torroidal
transformer, which started its lineage from Samar’s flagship MF65. The transformer
ratio and other parameters were specifically matched for this microphone. This
optimization has resulted in very low distortion, noise, and neutral sonics.
Due to its modern design and linearity, the AL95 has a very wide range of
applications, especially where a deep bass response and extended top are of
importance. Also, its symmetrical design makes it perfect suited for M-S and
Blumlein applications.
The Samar Audio AL95 comes in an injection-molded, US made carrying case with
anti-vibration, shock-proof clip. It features a 1-year part and ribbon replacement
warranty (limited to two services), and 15-day satisfaction guarantee.
395 Euro (ex. VAT) / CHF 390 (inkl. MWSt.)
Order a single Samar Audio AL95 as a demo unit (Switzerland only)
Order the Samar Audio AL95 matched pair as a demo unit (Switzerland only)
Samar Audio AL959
Stereo Ribbon Microphone
The AL959 is a logical transformation of our acclaimed AL95 ‘piston’ ribbon into
one stereo unit. While it would be perfectly possible using two microphones in
Blumlein, or MS configurations the AL959 stereo microphone has the very important
advantages of having the matched motors in closest possible proximity resulting
in perfect phase behavior between both channels, up to very high frequencies.
Another benefit is much more efficient setup in live and on location situations
where only one unit has to be placed with the single 4 conductor cable (with
supplied Y splitter at the end).
With its compact and lightweight design, the AL959 sets a new standard in stereo
microphones for live, studio, and home studio situations for all users—from
artists recording their own material, all the way through to professional
recording engineers—whose goal is making the highest quality recordings.
Years of perfecting ribbon transducers, as well as experience in machining and
assembling them exclusively in house, have allowed Samar Audio to create a
stereo microphone of ultimate performance for a price that is unheard for a
completely US-made stereo ribbon microphone.
Specifically designed for very smooth, extended frequency response and low
distortion, it is handcrafted and meticulously assembled at the company’s Salt
Lake City based shop.
This design was conceived and realized by the company’s founder, Dr. Mark Fouxman.
The efficiency of the construction, such as its uni-body design, unique and
innovative motor structure and parts utilization, makes for a microphone
consisting of very few parts, which is the main factor for such a drastic
price drop. However, do not let its budget price give you the wrong
impression—this is a high end, no-compromise microphone, which will provide
the highest possible level of performance and years of dependability.
At the heart of the microphone is a ‘piston’ corrugated ribbon. Compared to
the regular ‘zig-zag’ corrugation, it offers lower noise, deeper, fuller,
and more controlled bass response, higher output, lower resonance modes, and
very high SPL handling. All those advantages are due to the ribbon motion,
which is similar to that of speaker cones. A very important feature of the
ribbon is its robust construction and therefore, much lower fragility than
conventional ribbon microphones. Due to this, they do not require any special
precautions for storage.
The ribbon motors are coupled to custom, hand-wound, amorphous-core torroidal
transformers, which draw their lineage directly from Samar’s flagship MF65.
The transformer ratio and other parameters were specifically matched for this
microphone, resulting in very low distortion, noise, and neutral sonics, while
its symmetrical design makes it perfectly suited for M-S and Blumlein applications.
Due to its modern design and linearity, the AL959 has a very wide range of
stereo applications, especially as a main microphone for orchestral, choir,
or smaller groups recordings in classical, jazz, or pop/rock genres. It excels
being used on drum overheads, piano, guitar, or stereo room recordings for a
broad range of instruments where deep low-end and extended top range are important.
The Samar Audio AL959 comes in an injection-molded, US made carrying case with
a microphone clip and Y splitter to convert between 5-pin XLR connector into a
pair of 3-pin XLR’s. It features a 1-year part and ribbon replacement warranty
(limited to two services), and 15-day satisfaction guarantee.
1225 Euro (ex. VAT) / CHF 1290 (inkl. MWSt.)
Samar Audio VL37
Ribbon Microphone
Our obsession for designing completely original, high quality, modern microphones
is obvious in our new handcrafted ribbon microphone.
The VL37 uses the same components and has the same sound quality and level of
performance found in our critically acclaimed MF65--the microphone, which raised
the bar and set new standards for High End ribbon microphones and essentially
changed how they are being used by demanding engineers in today’s high resolution
recording.
The VL37 unparalleled sound is a result of our attention to detail and level of
craftsmanship that goes into each and every component we make.
The VL37 tonal balance combines a vintage vibe with a modern sound, creating a
unique but affordable recording tool. Its bi-directional, figure 8, symmetrical
polar pattern is perfect when used on drum overheads, choir, piano, violin,
orchestra, brass instruments, vocals, acoustic and electric guitar, room
microphones, speaker cabinets, among other recording, broadcast, and classical
music applications. It has a Stainless Steel body and comes in a US made wooden
box and anti-vibration shockproof clip.
The VL37 high SPL handling, built in pop filter and symmetrical polar response
is perfect for demanding producers, musicians and engineers in recording studios
and for live sound reproduction.
Featuring:
* one of a kind innovative design
* balanced ruler flat frequency response down to 20Hz (-0.43dB) and
unprecedented top end beyond 25kHz
* low noise, low distortion, made in house amorphous core toroidal transformers
* sophisticated motor with shortest front-to-back path ever seen in ribbon
microphones
* low-mass ribbon with a unique fine tuning adjustment to assure for consistency
from unit to unit
* proprietary corrugation process to maintain ribbon’s integrity without special
handling
* Handcrafted in the USA
* 5-year parts-2-year ribbon replacement warranty
* 15-day satisfaction guarantee
935 Euro (ex. VAT) / CHF 985 (inkl. MWSt.)
Order the Samar Audio VL37 as a demo unit (Switzerland only)
Samar Audio VL37A
Active Ribbon Microphone
The VL37A is an active version of VL37 and brings its sonic performance to a new
level. Specifically designed for extremely low noise it opens up a new territory
of applications, notably classical music, broadcasting, movie, and studio
recordings. Because of its condenser-like output level, and because of the
optimized load on the ribbon and perfect impedance integration, the VL37A puts
much less stress on the preamplifier and cable choices, making it a perfect and
very affordable solution for projects and professional studios.
In keeping with the VL37, the motor structure and tuning of the VL37A are based
on our critically acclaimed Samar MF65, all the microphones in the range use the
same components. As with all of our microphones, the VL37A is entirely handcrafted
and meticulously assembled using parts made exclusively in our US shop.
The VL37A tonal balance combines a vintage vibe with a modern sound, creating a
unique but affordable recording tool. Its bi-directional, figure 8, symmetrical
polar pattern is perfect when used on vocals, choir, piano, violin, orchestra,
brass instruments, acoustic and electric guitar, speaker cabinets, drum overheads,
room microphones, among other recording, broadcast, and classical music
applications. It has a Stainless Steel body and comes in a US made wooden box
and anti-vibration shockproof clip.
Featuring:
* one of a kind innovative design
* extremely low noise (4-5dB lower noise than already very quiet VL37)
* balanced ruler flat frequency response down to 20Hz (-0.43dB) and
unprecedented top end beyond 25kHz
* low noise, low distortion, made in house amorphous core toroidal transformers
* sophisticated motor with shortest front-to-back path ever seen in ribbon microphones
* low-mass ribbon with a unique fine tuning adjustment to assure for
consistency from unit to unit
* proprietary corrugation process to maintain ribbon’s integrity without
special handling
* Handcrafted in the USA
* 5-year parts-2-year ribbon replacement warranty
* 15-day satisfaction guarantee
1145 Euro (ex. VAT) / CHF 1190 (inkl. MWSt.)
Samar Audio VL373 and VL373A
Stereo Ribbon Microphone
passive (VL373) or active (VL373A)
The brand new VL373 is the latest addition to the highly acclaimed Samar Audio
MF65—VL37 family.
The mission statement for the VL373 was to create a ‘true to life’ stereo image
and this we have achieved by placing two ribbon elements in very close proximity
to each other effectively minimizing any phase distortion up to very high
frequencies. The VL373 is essentially two VL37 microphones in one chassis; a
genuinely high performance stereo ribbon microphone ready to capture your finest
performances.
Like the VL37, the motor structure and tuning of the VL373 are based on our
flagship Samar MF65, all the microphones in the range use the same components.
Another unique feature of the VL373 is our special swivel mechanism not found
in any other modern stereo ribbon microphones, this allows the user to change
the angle of stereo spread. The angle can be changed from 60 to 120 degrees
thus facilitating a wide range of setups from big classical orchestras, where
the last rows of instruments usually get cancelled in Blumlein configuration,
full choirs, to smaller ensembles, drum overheads, and single instruments,
recorded in stereo.
As with our other range of ribbon microphones, the VL373 comes in passive and
active VL373A versions. The passive version is a proven classical design for
engineers with excellent hi gain - low noise preamplifiers. The active version
is designed for extremely low noise and opens up a new territory of applications,
notably classical music, broadcasting, movie, and studio recordings. Because of
a condenser-like output level, and due to the optimized load on the ribbon and
perfect impedance integration, the active version VL373A puts much less stress
on the preamplifier and cable choices, making it a perfect and very affordable
solution for projects and professional studios.
As with all of our microphones, the VL373/A is entirely handcrafted and
meticulously assembled using parts made exclusively in house in our US shop.
It has a Stainless Steel body and comes in a US made wooden box and anti-vibration
shockproof clip.
The VL373/A high SPL handling, built in pop filter and symmetrical polar response
is perfect for demanding producers, musicians and engineers in recording studios
and for live sound reproduction.
Whether it is Blumlein, MS, or XY, the VL373 is ideal for stereo recording of
wide spectrum of sources, from orchestra, choir, piano, vocals, violin, brass
instruments, to acoustic and electric guitar, drum overheads, room microphones,
among other recording, broadcast, and classical music applications.
Featuring:
* one of the kind highly innovative design incorporating the positioning of
motors as physically close to each other as possible for very low phase
distortions and ‘true to life’ stereo image
* unique swivel mechanism to allow to adjust stereo spread
* extremely low noise (active VL373A has 4-5dB lower noise than already very
quiet VL373)
* balanced ruler flat frequency response down to 20Hz (-0.43dB) and
unprecedented top end beyond 25kHz
* low noise, low distortion, made in-house amorphous core toroidal transformers
* sophisticated motor with shortest front-to-back path ever seen in ribbon
microphones
* low-mass ribbon with a unique fine tuning adjustment to assure for consistency
from unit to unit
* proprietary corrugation process to maintain ribbon’s integrity without
special handling
* Handcrafted in the USA
* 5-year parts-2-year ribbon replacement warranty
* 15-day satisfaction guarantee
2065 Euro (ex. VAT) / CHF 2135 (inkl. MWSt.)
Samar VL373A
2255 Euro (ex. VAT) / CHF 2330 (inkl. MWSt.)
Order the Samar Audio VL373A as a demo unit (Switzerland only)
Samar Audio TF10
Condenser Microphone
Following the success of our highly acclaimed handcrafted ribbon microphones, our
new line of Samar TF10 condenser microphones (to replace Omni8 TF08) offers the
same obsession to uncompromised quality and attention to detail. As with the MF65
and VL37 series which set new standards for high end ribbon microphones; essentially
changing how they are being used by demanding engineers in today’s high-resolution
recordings, the new condenser series offers a commensurate step-up in their field.
The heart of the TF10 is a unique proprietary cardioid capsule designed by the
company’s owner and chief engineer Dr. Mark Fouxman. The capsule is a single
sided 3-chambered design. The 1st and 2nd chambers shape the capsule's frequency
response, and the 3rd sets time delay. This 3-chamber independence allows
precise optimization of all parameters; it also ensures superior frequency
and phase integrity in off axis response, so it takes EQ very well. The unique
construction and use of special materials eliminates the capsules parasitic
capacitances and ensures low distortion and ultimate transparency, providing
a very realistic sound picture. The capsule has been designed to work without
usual for condenser microphones DC-to-DC bias converter, which reduces distortions
even further.
Special attention has been paid to the acoustical optimization of the TF10
microphone body, where the capsule itself serves as a lollipop, without any
surrounding external body. This arrangement eliminates any sound waves
interference. On its bottom the capsule/lollipop mounted on a special shaped
acoustical lens. These facets along with acoustically open mesh screen
eliminate any standing waves and reflections and ensure the most acoustically
transparent sound possible.
The circuitry of the TF10 microphones integrates the highest quality components
for low noise, and very natural and low coloration sonics. The TF10 has extremely
high overload capability and handles and passes an undistorted output signal
up to 10V!
The TF10 body utilizes the distinguished Samar Audio design characteristics
and available in Stainless Steel, or Carbon Fiber finishes. The TF10 comes
with a unique, very slick and unobtrusive shock mount and a US made wooden
storage box.
Created to facilitate a wide range of applications the TF10 delivers smooth
sound, with deep bass response and an un-hyped, sibilance free, top end. Due
to the un-colored and neutral nature of the sonics built into the TF10, it is
especially suitable for applications where sibilance-free sound is a priority,
notably vocals and voice over applications. The extended low end and smooth
top end make the TF10 an excellent choice for violins, brass instruments,
mandolin, acoustic and electric guitars, drum overheads, room microphones,
orchestra, and choir among other recording, broadcast, and classical music
applications.
* Handcrafted in the USA
* 5-year parts warranty
* 15-day satisfaction guarantee
1225 Euro (ex. VAT) / CHF 1290 (inkl. MWSt.)
Order the Samar TF10 nowOrder the Samar Audio TF10 as a demo unit (Switzerland only)
Samar Audio MG20
Cardioid Condenser Microphone
The Samar Audio Design MG20 is a transformer coupled small diaphragm microphone that features very low noise, high SPL handling,
natural sonics, smooth response and full extended low end. This makes the MG20 the perfect solution for demanding professional
engineers, studios, artists, as well as home recording enthusiast to make highest quality recordings. It is handcrafted and
meticulously assembled at the company’s Salt Lake City based shop.
The Samar MG20 design was conceived and realized by the company’s founder, Dr. Mark Fouxman. The efficiency of the construction and
using innovative acoustical shape of the body are responsible for excellent off-axis response and minimal phase distortions behavior.
Use of highest quality internal electronic parts and optimization of the design makes it no-compromise microphone, which will provide
the highest possible level of performance and years of dependability.
At the heart of of the MG20 is a very high quality capsule working with a transformer coupled circuit, which consists of a single
jFet loaded by made in house transformer. This circuit is very similar to a classic KM84 with a few modern tweaks to boost the
performance even further. The transformer was developed by Dr. Mark Fouxman specifically for this model and wound chambered
(topology adopted in Neumann BV8 and some other expensive transformers) for very low capacitance and excellent high frequency
response, and assembled using US made 80% Nickel core lamination.
Special attention has been paid to the acoustical optimization of the MG20 microphone body, which forms a special shaped acoustical
lens. This arrangement eliminates any sound waves interference, including off-axis. These facets along with acoustically open mesh
screen eliminate any reflections, ensure the most acoustically transparent sound possible and phase integrity.
Created to facilitate a wide range of applications the MG20 delivers smooth sound, with deep bass response and an un-hyped, sibilance
free, top end. Due to the un-colored and neutral nature of the sonics built into the MG20, it is especially suitable for applications
where sibilance-free sound is a priority, notably vocals, voice over, and podcast applications. The extended low end and smooth top
end make the MG20 an excellent choice for violins, brass instruments, mandolin, acoustic and electric guitars, drum overheads,
various percussions, room microphones, orchestra, and choir among other recording, broadcast, and classical music applications.
* Transformer Coupled
* Low noise
* High SPL Handling
* Handcrafted in the USA
* 2-year warranty
* 15-day satisfaction guarantee
690 Euro (ex. VAT) / CHF 715 (inkl. MWSt.)
Order the Samar MG20 nowOrder the Samar Audio MG20 as a demo unit (Switzerland only)
Samar Audio MG33
Side-Addressed Cardioid Condenser Microphone
The Samar Audio Design MG32 (end-addressed) and the MG33 (side-addressed) small diaphragm cardioid condenser microphones
share the same capsule, the same electronics, and the same acoustical properties. Don’t let their compact size and modest
price tag give you the wrong impression. They are very high-quality original designs, featuring low noise, and a smooth
and very balanced response, with low distortion, and excellent low and high-end extension. They are an ideal solution
for demanding professional engineers, studios, artists, as well as home recording enthusiasts, to make the highest
quality recordings, especially in environments where the compact size of the microphone is of the essence. The
microphones are built at the company’s Salt Lake City-based shop.
Both Samar MG32 and MG33 microphones were designed by the company’s founder Dr. Mark Fouxman. As with any Samar
microphone, extraordinary attention was put into the shape of the body and its acoustical properties. An unusual,
innovative, and optimized acoustical lens eliminates standing waves, reflections, and wave interference, and allows
for minimal phase distortion anomalies along with excellent off-axis response. The MG32 and MG33 use the same capsule
as our highly acclaimed MG20. For low distortion, the highest possible sonics, sound quality, and years of dependability,
both the MG32 and MG33 use the highest quality electronic parts, such as SMD Vishay-Dale resistors and through-hole Wima
capacitors in the signal chain.
Samar’s MG32 and MG33’s balanced, neutral sound, along with the excellent low-end response, and the non-harsh sonic nature
on the high end, makes them suitable for a wide range of applications, such as pop, jazz, and classical piano, string
instruments, brass instruments, acoustic guitars, drum overheads, percussions, room microphones, orchestra, and choir among
other recording, broadcast, and classical music applications.
The Samar MG32 and MG33 are especially suitable for environments where compact size is important. They are perfect for
live sound reinforcement, concert recordings, drum and percussion sessions, and any place where a small unobtrusive
footprint is needed.
* Transformerless
* Very Low noise
* High SPL Handling
* Handcrafted in the USA
* 1-year warranty
* 15-day satisfaction guarantee
385 Euro (ex. VAT) / CHF 420 (inkl. MWSt.)
Order the Samar MG33 nowOrder the Samar Audio MG33 as a demo unit (Switzerland only)
Samar Audio MG32
Cardioid Condenser Microphone
The Samar Audio Design MG32 (end-addressed) and the MG33 (side-addressed) small diaphragm cardioid condenser microphones
share the same capsule, the same electronics, and the same acoustical properties. Don’t let their compact size and modest
price tag give you the wrong impression. They are very high-quality original designs, featuring low noise, and a smooth
and very balanced response, with low distortion, and excellent low and high-end extension. They are an ideal solution
for demanding professional engineers, studios, artists, as well as home recording enthusiasts, to make the highest
quality recordings, especially in environments where the compact size of the microphone is of the essence. The
microphones are built at the company’s Salt Lake City-based shop.
Both Samar MG32 and MG33 microphones were designed by the company’s founder Dr. Mark Fouxman. As with any Samar
microphone, extraordinary attention was put into the shape of the body and its acoustical properties. An unusual,
innovative, and optimized acoustical lens eliminates standing waves, reflections, and wave interference, and allows
for minimal phase distortion anomalies along with excellent off-axis response. The MG32 and MG33 use the same capsule
as our highly acclaimed MG20. For low distortion, the highest possible sonics, sound quality, and years of dependability,
both the MG32 and MG33 use the highest quality electronic parts, such as SMD Vishay-Dale resistors and through-hole Wima
capacitors in the signal chain.
Samar’s MG32 and MG33’s balanced, neutral sound, along with the excellent low-end response, and the non-harsh sonic nature
on the high end, makes them suitable for a wide range of applications, such as pop, jazz, and classical piano, string
instruments, brass instruments, acoustic guitars, drum overheads, percussions, room microphones, orchestra, and choir among
other recording, broadcast, and classical music applications.
The Samar MG32 and MG33 are especially suitable for environments where compact size is important. They are perfect for
live sound reinforcement, concert recordings, drum and percussion sessions, and any place where a small unobtrusive
footprint is needed.
* Transformerless
* Very Low noise
* High SPL Handling
* Handcrafted in the USA
* 1-year warranty
* 15-day satisfaction guarantee
339 Euro (ex. VAT) / CHF 375 (inkl. MWSt.)
Order the Samar MG32 nowOrder the Samar Audio MG32 as a demo unit (Switzerland only)